New York, 1959. maximum Bialystock was once the of Broadway, but now all his shows close on becoming open night. Things turn around when he is visited by the affected with emotional disorder book keeper lion flower, who suggests a scheme tailor-made for producers who can only make flops: raise far more Currency than you need, then make sure the show is hated. No one will be interested in it, so you can pocket the excess.
To this end, they generate a musical called Springtime for Hitler written by escaped Nazi Franz Liebken. Then they get the in a crazy manner brightly colored Roger De Bris to direct. Finally, they hire as a lead actress the loopy from Sweden bombshell Ulla (whose last name has over fifteen syllables). As becoming open night draws near, what can go wrong? Well, there is no book keeping for taste.
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